Dierks Bentley -Bad Angel (Feat. Miranda Lambert & Jamey Johnson) HD

from his "Up on The Ridge" 2010. Capitol Records Here in 2012, we live in a wickedly polarized environment, especially with the United States being in an election cycle. There seems to be very little that is gray. Either someone is saving the world, or you’re stenciling a Hitler mustache on them and posting it to Facebook. A musical parallel to this was illustrated when Jason Isbell blamed Dierks Bentley for ripping off his song “In A Razor Town”. The fervor quickly became political on Isbell’s side, with the former Drive By Trucker lumping Dierks in with all of country music’s pop-oriented fare, even going as far as saying he hopes that people that come to the defense of Dierks “don’t vote” through his Twitter feed. Certainly a little perspective seems to be called for. Though I happen to agree that Isbell has a great case for “In A Razor Town” being ripped off by Dierks’ “Home”, the assailant is likely not Dierks, but the other songwriter Dan Wilson. Furthermore, lumping Dierks with the Justin Moore’s and Rascal Flatts’ of the world and calling him a “douche” makes Isbell come across as bitter, and more importantly, uninformed. Trust me, I’ve called many a pop country star a “douche” over the years, but I have also gone out of my way to say it is important to draw distinctions when talking about pop country stars. And that’s what leads us to Dierks Beltley’s Up On The Ridge from the summer of 2010, an album I’ve been asked to review many times, because despite the “where” and the “who” it came from, shows remarkable heart, progressiveness, and independence. *** The idea is that this is a “bluegrass” album, but Flatt & Scruggs fans shouldn’t get their hopes up too much. Though there is some straight up bluegrass here like the song “Rovin’ Gambler”, most of the music is more of a progressive take on bluegrass, incorporating drums for example. This album started off as a side project that grew into something more, and with the tremendous amount of collaboration in it, that can be seen. The Punch Brothers and Chris Thile appear numerous times. Del McCoury, Rob McCoury, Ronnie McCoury, Kris Kristofferson, Alison Krauss, Sam Bush, Miranda Lambert and Jamey Johnson are some of the other names that might get you excited just by seeing the list of contributors. This album is very much a collaborative effort. Though Bentley is not given sole songwriting credit on any song, he’s given some credit on all of the album’s standout tracks, including “Up On The Ridge”, “Rovin’ Gambler”, “Draw Me A Map”, “You’re Dead To Me”, and “Down In The Mine”. Instead of taking a myopic view on one bluegrass approach, Up On The Ridge takes a world view and attempts to hit on most aspects; more a bluegrass primer, meant for the unfamiliarized masses than the devotees of the sub-genre, and that’s not necessarily a bad thing. Because of this approach, I sense there might be some cherry picking of it’s tracks contingent on listener’s tastes, but this also means this album