YAMAHA DTX Multi12 || FOLK BEAT || TAPPU || TAVIL HD
#YamahaDtxmulti12#Rolandspd20X#Rolandspd30 SALE TONES FOR ROLAND SPD20 ROLAND SPD20X ROLAND SPD30 ROLAND SPD SX ROLAND SPD S ROLAND SAMPLERS YAMAHA DTX MULTI2 ROCKSTAR 20 ALESIS ETC DEVOTIONAL KITS DEMO ON YOUTUBE CONTACT +91 9787299011(whatsup) EMAIL ldbinesh8940@gmail.com FB : https://www.facebook.com/100009284120879 YAMAHA DTX Mirthangam https://youtu.be/1-J63G5zb1w Roland Spd30 Tones https://youtu.be/gH-OcBiq4Fg Roland Spd 30 Indian https://youtu.be/Gd-08QsXFo8 YAMAHA DTX Tabla https://youtu.be/5nWJRrWMoNE YAMAHA DTX VS ROLAND SPD 30 https://www.youtube.com/watch?v=reXyTiYkYSo Tabla, pair of small drums fundamental (since the 18th century) to Hindustani music of northern India, Pakistan, and Bangladesh. The higher-pitched of the two drums, which is played with the right hand, is also referred to individually as the tabla or as the daya (dahina or dayan, meaning “right”). It is a single-headed drum usually of wood and having the profile of two truncated cones bulging at the centre, the lower portion shorter. It is about 25 cm (10 inches) in height and 15 cm (6 inches) across. Skin tension is maintained by thong lacings and wooden dowels that are tapped with a hammer in retuning. It is usually tuned to the tonic, or ground note, of the raga (melodic framework). The baya (bahina or bayan, meaning “left”), played with the left hand, is a deep kettledrum measuring about 25 cm (10 inches) in height, and the drum face is about 20 cm (8 inches) in diameter. It is usually made of copper but may also be made of clay or wood, with a hoop and thong lacings to maintain skin tension. Pressure from the heel of the player’s hand changes the tone colour and pitch. The tuning of the baya varies, but it may be a fifth or an octave below the daya. A disk of black tuning paste placed on the skin of each drum affects pitch and also generates overtones characteristic of the drums’ sound. The musician plays the tabla while seated, with the baya to the left of the daya. Sound is produced on the drums through a variety of different finger and hand strokes. Each drum stroke can be expressed by a corresponding syllable, used for both teaching and performance purposes. The intricate music of the drums reflects the rhythmic framework (tala) of the piece.