iPhone 11 Pro Max Ultra wide Camera – Really Cool! HD

This is a montage of the first videos and photos I recorded using the .5x lens on my new iPhone 11 Pro Max. In addition to my experimentation with this ultra-wide 120° field of view lens, I wanted to test the highest quality video possible using the iPhone 11 Pro by setting the Camera Mode to 4K at 60 fps and the Camera Capture set to High Efficiency. The results of the videos and photos when viewed on my iPhone were amazing! Importing these videos into my laptop for editing with Adobe CC applications was not such a pleasant experience. First, allow me to explain that this simple five-minute video montage took about 7 days (40 hours) to produce! Most of the time involved researching how to import and edit the video and photo files into Adobe Premiere Pro and Photoshop CC on my Windows 10 laptop. Both the video and photo files use the new Apple high-efficiency formats, HEVC and HEIF respectively. In the process, I learned that everything, from Windows 10 to graphic drivers to Adobe CC had to have the latest updates installed. Unfortunately, Adobe has been lagging in their support of the new high-efficiency H.265 codecs. I was, however, able to find some workarounds allowing me to get the job done, some of which I explain in the next paragraph. After installing all required updates of my Dell Inspiron 7559 laptop, MS Windows 10 and NVIDIA drivers, I was able to import the .MOV video files and the HEIF photo files into Adobe Premiere Pro CC. But the 4k video files were too much for Adobe Premiere to render in the timeline for smooth playback during editing. After trying several format conversion methods recommended by others online, I found that the best solution for me was by creating proxies for each video clip as they were imported. A proxy is a lower-resolution video file that takes the place of its higher-resolution parent video file in the timeline. This allows for smooth playback during editing. The proxy file is linked to the original high-resolution video file, so when the project is exported, there is no reduction in quality. Once I had assembled and edited the video via the proxies, I exported the final video using the YouTube 2060p Preset in Premiere Pro. Sounds easy, right? Well, the rendering time took about twice as long as a 1080p HD video, no real surprise here. And I was still encountering some strange glitches. A couple of the clips where I cut out sections in the middle would repeat the beginning of the clip at the edit points. I could not correct this issue no matter what I tried. So, after hours of experimentation, I gave up and left the entire clips in this final rendering. Ultimately, no matter the additional steps and frustrations, I am exceptionally pleased with the results! I hope that you find this video both informative and inspirational! – Randall Music credit: Easy Lemon 30 Second by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http