TPTV - Peter Wahrhaftig HD

San Francisco Ballet Orchestra Principal Tubist, Peter Wahrhaftig shares his observations and memories of his studies with Arnold Jacobs. Wahrhaftig wasn’t sure what to make of Jacobs during his initial set of lessons, but he was impressed with how Jacobs was able to effect immediate change in Wahrhaftig’s playing during each lesson. Jacobs demonstrated for Peter often in his early lessons. Jacobs explicitly instructed Peter to imitate himself. Air is the fuel for the buzz. Jacobs mouthpiece buzz was “incredible” filled with great life and buoyancy. “Your ears were lifted by listening to his sound.” Jacobs’ way of articulation was via – tA or tO. Jacobs taught to replace existing bad habits with good new habits rather than trying to change the poor habits head-on. Jacobs was excellent at taking complex issues and reducing them to a simple solution. Use large quantities of air. PVC ¾ inch tube used for breath training. Buzzing the mouthpiece as a way to train the tone and the tune. Jaocbs’ approach to playing was one of imitating the human voice. Wahrhaftig discusses Jacobs’ phrasing concepts and how they were based on the Marcel Tabuteau numbering system, as well as note-grouping/micro-phrasing concept. The seventh cranial nerve is the connection, or bridge, between the brain – imagination – and physical manifestation of the musical product/sound. Wahrhaftig believes that Jacobs personalized his teaching based upon the specific needs of each student. Jacobs was amazing at using great knowledge to produce wonderful music. Wahrhaftig’s hypothesis: Jacobs was always thinking and caring about people, which was why he liked music so much, so he could reach people. Jacobs had a great capacity for tracking and teaching the numerous details required to play a brass instrument, but his main focus was always on the musical aspect. Tabuteau’s numbering system for crescendos and diminuendos and the exercises Jacobs developed using that system. Rhythmic breathing exercises and how the sound of the breath is a great guide for developing excellence. Jacobs’ generosity was incredible. Sit Georg Solti’s musical charisma.