Webcore - A Real Kavoom - 1986 HD

11.02.2017
Uploaded tonight is the second Webcore cassette tape, released on A Real Kavoom from Cornwall in 1986. I liked this band very much and saw them perform many times in and around the capital in many squatted venues including the 121 Railton Road bookshop in Brixton, the old Jungle Records building in Essex Road Islington, the Mankind Club in Hackney Central and others. There were also plenty of great nights at the Club Dog venues in Wood Green and Finsbury Park that should also be mentioned. Webcore also supported Psychic TV on a couple of occasions… Below is a snippet of an interview with the Webcore keyboardist Paul Chousmer ripped for the aural-innovations.com site. DS: How would you describe Webcore? PC: Webcore were often described as way ahead of their time (at the time, if you can see what I mean.) I sort of took the roll of manager as nobody else would and we played everywhere. I (and Ed ‘Ozric’ Wynne) took the same view that the best way to publicize ourselves was to play wherever we could. So we often found ourselves at the same dodgy benefit gigs. All sorts of squats, free festivals, you name it. So we got a reputation for playing together all of the time. I’ve always thought our music was completely different. I felt there was a common psychedelic thread and we were always up for a party. Then Club Dog started (by Mike Dog, who later had the Ultimate Record label with groups like Eat Static and Senser) Webcore, the Ozric Tentacles and Another Green World all became regulars. And we grew with it. DS: I agree that Webcore’s music was ahead of its time at the time. What would you say were the musical influences of the group? PC: Our influences at the time inevitably included ENO, but also Psychic TV, Siouxsie and the Banshees, it’s difficult to say now from this distance in time. I would say we brought lots of different things together. Mick was a poet not a singer, so that was his approach. Trying to make his words fit. My idea was to create atmospheres behind the songs. Setting the scene. We were all experimenting. Just trying out ideas and if they felt good. It’s funny now that I’m teaching I see loads of young bands coming together. They all seem to want to sound like somebody else. The A&R mentality of copying whatever the last big hit was! We didn’t think that way at all back then! DS: Webcore’s music also seems quite different from much of the other free fest bands like the Ozrics and Psi. How do you feel that Webcore fit into this scene? PC: You’d have to ask this one of the audience really. I find it very hard to be objective. I would say that I was always surprised that Webcore’s audience danced a lot. I didn’t think of our music as dance music. This was fairly unusual in the free fest scene. Our music was also quite structured. Not totally, there was some room for improvisation. But there were definite maps to follow. The other bands seemed to be more into long wibble solos etc… DS: What are your feelings on the fe

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