Nick La Riviere - Too Much To Do (album promo) HD

Article from Island Jazz: http://islandjazz.ca/2009/09/20/the-unconventional-trombonist/ Trombonist Nick La Riviere certainly cant be called conventional or boring. Take his most recent Trombone Mayhem show at Hermanns in Victoria. At the beginning of the second set, he called up a special guest guitarist/vocalist whod been pretending to be an audience member, and the group promptly launched into the Trombone Mayhem Ultimate Dance Party, complete with Kool and the Gang, and Earth, Wind and Fire tunes La Riviere had arranged, along with disco lights and a smoke machine that hed cleverly set up before the show. Then theres his music education. These days most aspiring jazz players complete a four-year college program before embarking on a career. Not La Riviere. He did a year of what amounted to solo study with Hugh Fraser at the Victoria Conservatory, a year and a bit in the Capilano College (now University) jazz program, and then set his course for the world of the working musician. As I was starting my second year, I got an offer of a cruise ship gig. I thought that might be fun, and so I dropped out on tuition payment day and did three years. Since that time hes taken a few private lessons from the likes of Ian McDougall and Steve Turre, but for the most part has chosen to educate himself by arranging, transcribing and composing music and by working in a variety of bands. He chooses to work in various genres, playing with, among others, The Bomb Squad , a dance cover band; Greenlaw, a soul/dub/r&b band; and very recently The Paperboys, a renowned group that somewhat tongue-in-cheek describes itself as the only multi-cultural, multi-ethnic, multi-generational, multi-lingual, multi-instrumental, genre bending, co-ed band you will hear today!! La Rivieres unconventional approach is certainly apparent on his debut jazz album Too Much to Do launched at the end of August at a Butchart Gardens gig. The disk features three of the top jazz players in Canada Ross Taggart on piano, Jodi Proznick on bass, and Jesse Cahill on drums but La Riviere has also incorporated a string section in the septet (Cam Wilson and Julien Vitek on violins, and Peggy Lee on cello). La Riviere, of course, plays trombone, and for a little variety, conch shells, a trick he picked up from trombonist Steve Turre. He conceived of the album while still on the cruise ships, wanting to create something that would generate interest because it was unique. He began writing and arranging with strings in mind, creating challenging parts for the violins and cello, at times even using them like a horn section to create a rich, thick chord-like sound. I like that it does give the album more of a unique sound, says La Riviere. I like the way its turned out. The CD features covers of some not-so-common jazz standards, including a nod to a Miles Davis version of It Never Entered My Mind. La Riviere transcribed not only Davis complete solo but also his interpretation of the head (main m