Sight, Sound & Story: Live - Making it Work: From Cinematographer to Colorist HD

Sight Sound & Story: Live: Making it Work: From Cinematographer to Colorist Moderator: Patrick Inhofer (Colorist, Co-founder of MixingLight.com) Panelists: Edu Grau, ASC ("Passing," "Boy Erased," "The Way Back"), Roman Hankewycz ("Passing," "Midsommar," "Tiger King") ​ Inside Episode XVI: In this panel, Cinematographer Edu Grau, ASC, and Colorist Roman Hankewycz discuss their collaboration to bring Rebecca Hall’s “Passing” a brilliantly stark color palette to elevate the story. Edu will discuss his choice of lensing and their decision to shoot in color, though the finished film would be delivered in B&W, Dolby Vision. Veteran Colorist and Educator Patrick Inhofer will moderate this in depth behind the scenes of one of the most distinctive looking films of the year! This is a free online event! Sponsored by OWC, American Cinema Editors, and AJA. Born in Barcelona in 1981, Edu Grau, ASC, is one of the youngest members of the American Society of Cinematographers. He is mostly known for his adaptable and beautiful style in very different movies such as "A Single Man, Buried, "The Gift," "Suffragette," "Boy Erased," "The Way Back" and "Passing" as well as some European art-house like "Honor de Cavalleria" and "Quién Te Cantará." Edu Grau won the Bronze Frog at Camerimage 2011 for his cinematography of Buried, as wellas being nominated for the Goya, Gaudí and CECC Awards. He was selected in Competition at Camerimage for his films "A Single Man," "Suffragette" and "A Single Shot" and "Animals." He was nominated for a Goya and a Gaudí Award for "Quién te cantará," as well as winning the CECCAward in 2019. He combines features films with TV series and commercials. "Passing," his latest film by Rebecca Hall with Tessa Thompson, Ruth Negga, Bill Camp and Alexander Skarsgârd premiered in Sundance 2021 and was bought by Netflix, that is planning to release the B&W 4:3 movie in the awards season. With over 15 years of experience, Roman Hankewycz started his career in New York City as an editorial assistant, facility engineer, and online editor. As a colorist, Roman’s work blends an aesthetic sensitivity, bolstered by his deep technical understanding which influences his creative approach. "I love the process,” says Hankewycz, “digging into each project, obsessing over pixels, taking the work home, and waking up with new ideas.” Roman’s recent credits include Netflix’s “Haltson,” A24’s “The Humans,” Rebecca Hall’s “Passing,” Netflix’s “The Secrets We Keep,” Amy Koppleman’s “A Mouthful of Aire,” Netflix’s “Intrusion,” Ari Aster’s “Midsommar,” Starz’s “P-Valley,” Netflix’s “Tiger King,” Tate Taylor’s “Breaking News in Yuba County,” and Ken Burns’ “College Behind Bars.” Patrick Inhofer is a professional colorist currently residing in Orlando, Florida. He’s a 32-year veteran of the film and television post-production industry. Patrick takes his 15 years of experience working at high-end full-service New York City post houses and delivers those sam